Gertrude stanton kasebier biography

Artist

born Fort Des Moines, IA died New York City

Biography

Gertrude Käsebier began her artistic studies at the age of thirty-seven after her children had grown up. While studying painting at Pratt Institute in New York, she began to explore photography. In she opened a photography studio in New York, specializing in portraits of women and children. Käsebier was a founding member of both the Photo-Secession group and the Pictorial Photographers of America. A favorite of Alfred Stieglitz, she was the featured artist in the premier issue of Camera Work.The Manger [SAAM, ] was one of the principal illustrations. Describing The Manger, art critic Charles Caffin wrote that Käsebier's use of light in the simple setting "fills the place with heaven and surrounds the figures with divinity." However, Käsebier did not explicitly support a religious interpretaion of this image. She encouraged friends and critics to regard it as an artistic exercise in the effects of

Gertrude Käsebier was born Gertrude Stanton on May 18, , in Fort Des Moines, Iowa, now known as Des Moines. Her father, John W. Stanton, in , opened a sawmill in Eureka Gulch, in Colorado Territory, with hopes to prosper from the gold rush. He did.

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Inductee Sponsor: Joyce Wilson

Photo Credit: HOF Inductee: ©Gertrude Käsebier

In Gertrude, her mother and infant son, Charles, traveled to join him. Stanton’s success gave him a good local reputation. That same year, he was elected first mayor of Golden, a small mining village that was the capital of Colorado Territory. The Stanton’s newfound wealth and social status prompted Gertrude’s mother and father to encourage their daughter to become a musician. However, Gertrude was resistant. Her mother later remarked that the child was simply crazy about pictures, while no persuasion or threat could make her take up the study of the piano. In reference to one of the family’s paintings, her mother also stated that she would often see Gertrude on one knee on the floor viewing the painting through her small hands, telescope-like, talking to herself meanwhile, asking herself if it would ever be possible for her to make

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BiographyGertrude Käsebier () was one of the most influential American photographers of the early 20th century. She was known for her evocative images of motherhood, her powerful portraits of Native Americans and her promotion of photography as a career for women.

Contents
1 Life
Early life ()
Becoming a photographer ()
Height of her career ()
Professional independence ()
2 Gallery
3 External links
4 References


Life
Early life ()
Käsebier was born Gertrude Stanton on 18 May in Fort Des Moines (now Des Moines, Iowa. Her father, John W. Stanton, transported a saw mill to Golden, Colorado at the start of the Pike's Peak Gold Rush of , and he prospered from the building boom that followed. In eight-year-old Stanton traveled with her mother and younger brother to join her father in Colorado. That same year her father was elected the first mayor of Golden, which was then the capital of the Colorado Territory.[1]

After the sudden death of her father in , the family moved to Brooklyn, New York, where her mother, Muncy Boone Stanton, opened a board house to support the family.[2] From Stanton lived in Bethlehem, Pennsylvania with her maternal

Käsebier, Gertrude (–)

Turn-of-the-century American photographer who gained renown as one of the finest pictorialists in the country. Name variations: Gertrude Kasebier. Born Gertrude Stanton in Fort Des Moines, Iowa, on May 18, ; died in New York City, on October 13, ; daughter of John W. Stanton (an entrepreneur) and Gertrude Muncy (Shaw) Stanton (a homemaker); completed a four-year art course at the Pratt Institute, Brooklyn, New York, –93; married Eduard Käsebier, on May 18, ; children: Frederick William (b. ); Gertrude Elizabeth O'Malley (b. ); Hermine Mathilde Turner (b. ).

Opened a professional portrait studio, Brooklyn, New York (); established reputation at the first Philadelphia Photographic Salon (); was one of the first two women admitted to The Linked Ring (); had photographs included in "The New School of American Photography" exhibition at the Royal Photographic Society, London (); was founding member of the Photo-Secession Group (); joined the Professional Photographers of New York (); resigned from the Photo-Secession Group (); named honorary vice-president of the Pictorial Photographers of America (); had last major exhibit of her work during her life

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